Manager’s Corner-Managers vs. Agents
Press Own The Throne Press Own The Throne

Manager’s Corner-Managers vs. Agents

As Erik Dyce, former marketing director for the City of Denver’s Venues and Arenas, said, “The manager has one job: to “create demand” for the artist and their products.” If you are talking with a prospective manager, it is not about who they know and what they did for “so and so.” It is about how they will increase demand for your recordings, appearances, and the deals they can make at your behest that will make you the artist everybody wants to book, listen to on their iPhone, or see on Youtube.

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Red Rocks Rocks With Carved In Stone – Vol. 2, Live at Red Rocks
MUSIC Own The Throne MUSIC Own The Throne

Red Rocks Rocks With Carved In Stone – Vol. 2, Live at Red Rocks

“A venue so extraordinary that it renders most visitors speechless deserves to celebrate the voices of the artists chosen for Carved In Stone – Volume 2,” said J. Erik Dyce, director of marketing for the Division of Theatres & Arenas. “They’ve translated the heart and soul of this magical place into music.”

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From Red Rocks to Marina Docks

From Red Rocks to Marina Docks

A previous on-air radio DJ and a master storyteller, his tales draw you in—from flying his plane to deliver lighting equipment to the Rolling Stones, to hanging with Stevie Ray Vaughn, to sailing the warm waters of Mexico, Erik Dyce is a charismatic soul and a lover of life

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Showtime: Denver's Performing Arts, Convention Centers & Theatre District
Own The Throne Own The Throne

Showtime: Denver's Performing Arts, Convention Centers & Theatre District

In Showtime, Tom Noel (Dr. Colorado) and Amy Zimmer trace Denver’s love affair with theatre, dance, opera, music, and conventions back to its gold-rush origins. This historical account details the events that transformed a rough-and-tumble Western town into one of the nations foremost performing arts destinations. With five-hundred illustrations and a sweeping narrative, Showtime chronicles the first 150 years of Colorado s cultural landscape.

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